Jean Dawson has all the time blurred style strains. He broke by as a rapper, however the extra assured he is develop into as a songwriter, the extra experimental his albums have gotten. It was tough to think about a tape being extra sonically adventurous than 2022’s CHAOS* NOW, however Jean Dawson has executed it. Glimmer of God, the artist’s fourth LP, is a mesmerizing mix of sounds from completely different eras and genres. The opener, “Darlin,” is a bit deceptive on this regard. It is a wonderful, funk-tinged ballad. Fairly rapidly, although, Jean Dawson drops the niceties and plunges the viewer into the manic “Black Sugar.”
The music seems like a hybrid of Black Messiah-era D’Angelo and Yeezus-era Kanye West. Take our phrase for it, the mix of the previous’s crunchy instrumentation and the latter’s manic tempo miraculously coalesce into an exquisite third sound. The remainder of Glimmer of God follows swimsuit. Jean Dawson is the uncommon artist who can pull affect from a number of artists whereas nonetheless sustaining his signature sound. “Gradual Heavy Ecstasy” sees the artist attempt his hand at Playboi Carti-style rage music, whereas “The Boy and the Swan” is likely one of the finest Frank Ocean songs you’ve got by no means heard. Dawson even croons in Spanish on the elegant ballad “Murcielago.” There’s one thing for everybody right here.
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